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San francisco opera fidelio review3/22/2023 Metropolitan Opera 2015-16 Preview: Sondra Radvanovsky to Sing ‘Anna Bolena’, Elina Garanca Returns to the Metīeethoven’s messy opera ‘Fidelio’ is in fine hands in San Francisco Working on a new Covent Garden production, Gerald Finley is grappling with “clever dirt’, archery skills and crowd control Rossini’s mammoth opera about the freedom-fighting, sharp-shooting hero William Tell is rarely staged. The chief conductor of the Royal Opera talks to Nigel Farndale about politicians at the opera and the fate of ENO Monica Bacelli shines in a heavenly Pelléas et Mélisande in FlorenceĪntonio Pappano: ‘I haven’t time to sit through The Ring’ Israeli opera review – Donizetti: The Elixir of Loveīallet Revolucion review (State Theatre, Sydney) Review: Mark Morris Conducts at Tanglewood, and Offers a Debut Unheard for almost 90 years, an opera by Harry Lawrence Freeman, an African American composer compared to Wagner, was audacious and blazingly powerful Voodoo review – a lost Harlem Renaissance opera soars Miller Theatre, Columbia University, New York Uncluttered, semi-staged Wagner, full of musical thrills RNCM Symphony Orchestra/Penderecki review – a biblical maelstrom The ballet dancers growing older gracefully Verdi : Aida / Opera Holland Park, 24th June 2015 Opera Holland Park’s Aida Is No Museum Piece - ReviewĪida, Opera Holland Park, review: ‘a feast for the ear’ĭirector Daniel Slater’s production of Verdi’s opera is energetically and colourfully staged, says Rupert Christiansen “ Peer Gynt” eröffnet Hamburger Ballett-Tage Review: Florian Boesch (Utzon Music Series) Royal Ballet’s Focus on British Choreography Exposes Its LimitsĪ stormy yet brilliant birth for MacMillan premiere at Grant Park Review: “Voodoo,’ by Harry Lawrence Freeman, Has First Staging Since 1928 Opera North’s exciting Der fliegende Holländer at Leeds Town Hall This 1957 ballet score might not be beloved by all Brittenites, but it deserves to be heard, says John Allison Pappano’s Classical Voices, BBC Four Series about great opera singing begins with the queens of the high Cs ĭohnányi and the Philharmonia in a rousing close to the seasonīorodin Quartet review – they make music flow as naturally as speechīenjamin Britten’s Prince of the Pagodas, Aldeburgh Festival, review: ‘brimming with imagination’
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